Fork Films LLC is a New York-based film production company that seeks to shed light, evoke compassion, stir action and build peace. Founded in 2007 by CEO and President Abigail Disney and Chief Creative Officer Gini Reticker, Fork Films creates and supports media that makes an important societal contribution, with a particular emphasis on projects that bring women’s voices to the forefront. In addition to its original productions of PRAY THE DEVIL BACK TO HELL and the five-part PBS special series WOMEN, WAR & PEACE, the company has supported more than 50 films in the promotion of peace building, human rights and social justice, including 1971, ALIAS RUBY BLADE, CITIZEN KOCH, FAMILY AFFAIR, HOT GIRLS WANTED, THE MASK YOU LIVE IN, OUT IN THE NIGHT, PLAYGROUND, SEEDS OF TIME, SEXY BABY, THE ONLY REAL GAME, THIS IS HOW I ROLL, VESSEL, and the Academy Award-nominated films SUN COME UP (2011, Best Documentary Short) and THE INVISIBLE WAR (2012, Best Documentary Feature).

Fork Films currently has two original productions in the festival circuit, as well as an original short film available on VOD:

The feature documentary THE ARMOR OF LIGHT, Abigail Disney’s directorial debut, follows an Evangelical minister and the mother of a teenage shooting victim who ask, is it possible to be pro gun and pro-life?

THE TRIALS OF SPRING is a major cross media event that tells the stories of nine women on the front lines of change in Egypt, Tunisia, Libya, Syria, Bahrain and Yemen. It includes a feature-length documentary directed by Oscar nominated Gini Reticker, six short films, and articles by award-winning journalists about women and their unwavering quest for social justice and freedom.

Gini Reticker’s short documentary, BUFFALO RETURNS, was co-produced by Tribeca® Digital Studios and American Express. It demonstrates how the Lakota people’s belief that the resurgence of the buffalo will help restore their community on the Pine Ridge Reservation is more than a romantic idea, but real economics, and is available to stream now on Vimeo.

President & CEO
Abigail E. Disney is an award-winning filmmaker, philanthropist and the CEO and president of Fork Films. An active supporter of peacebuilding, she is passionate about advancing women's roles in the public sphere. Disney's 20+ films and series focus on social issues, sharing a quality of spotlighting extraordinary people who speak truth to power.

Disney's directorial debut, THE ARMOR OF LIGHT, has been selected for the 2015 Tribeca Film Festival. THE ARMOR OF LIGHT follows an Evangelical minister trying to find the courage to preach about the growing toll of gun violence in America. Reverend Rob Schenck, anti-abortion activist and fixture on the political far right, breaks with orthodoxy by questioning whether being pro-gun is consistent with being pro-life.

Having grown up in a family of filmmakers, Disney turned to documentaries in 2008, inspired to tell the story of a brave group of women who used nonviolent protests and sex strikes to bring an end to Liberia's long civil war. That film, PRAY THE DEVIL BACK TO HELL, won best documentary at the Tribeca Film Festival in 2008, and screened in 60 countries around the world on all seven continents. PRAY THE DEVIL BACK TO HELL is broadly credited with highlighting the bravery and sacrifice of its lead figure, Leymah Gbowee, who received a Nobel Peace Prize in 2011.

The extraordinary response to PRAY THE DEVIL BACK TO HELL led Disney to work on the five-part special series for PBS, WOMEN, WAR & PEACE. which aired in 2011 and was the winner of the Overseas Press Club's Edward R. Murrow Award, a Gracie Award, and a Television Academy Honor. This first-of-its-kind series created and executive produced by Abigail Disney, Pamela Hogan and Gini Reticker looked at the role of women in war in the modern age, not just as victims of conflict, but as active agents for peace in their communities.

PRAY THE DEVIL BACK TO HELL also led to Disney founding Peace is Loud, a nonprofit dedicated to supporting and spotlighting women who are stepping up for peace and resisting violence in their communities. Together, Fork Films and Peace is Loud produced WOMEN, WAR & PEACE screening kits, dubbed into four languages, for use by international grassroots organizations in an ambitious global outreach campaign. To date, over 1,500 screening kits have been shared with 250 partner organizations at 575 screening events reaching 35,000 viewers. Events featuring the films have taken place in 82 countries - reaching all continents, including Antarctica.

Disney has also executive produced films on a wide array of social issues, including 1971, FAMILY AFFAIR, CITIZEN KOCH, HOT GIRLS WANTED, THE INVISIBLE WAR (Academy Award Nominee®, Best Documentary Feature), RETURN, and SUN COME UP (Academy Award® Nominee, Best Documentary Short).

Head of Production
Aideen joined Fork Films as Head of Production in September 2014 and is working closely with executive producers and producers from concept through successful distribution of the company's slate of feature documentaries.

She is a seasoned veteran of documentary production and has successfully overseen numerous projects - from single films to episodic series - through development, production and post production while constantly balancing the non-linear creative process with the business and logistics of production.

Aideen's career began in New York where she worked with Emmy winning and nominated directors, including Michael Moore; THE AWFUL TRUTH, Ellen Weissbrod; FACE TO FACE: THE SCHAPPELL TWINS, Zuzana Justman; VOICE OF THE CHILDREN and RUBY for HBO.

Returning to Ireland, Aideen headed up production at GMarshTv developing its core strengths and increasing its slate of documentaries. She also developed and produced several IFTA award winning documentaries and series for Irish television; RTE, Tg4 and Setanta including The Writing in the Sky, The Irish New Yorkers and The West's Awake.

Aideen recently returned to New York and found the perfect fit at Fork Films.
Director of Finance and Accounting
Ameena is the Director of Finance and Accounting at Fork Films. In this role, Ameena works closely with the COO, the Head of Production, and the entire Fork Films team and external business office to oversee the fiscal management of the company and its productions.

Prior to joining Fork Films in October 2014, Ameena worked with several notable media-related companies in New York City and Los Angeles, including Conde Nast Entertainment, CBS, Paramount Pictures, Comedy Central, and ITVS.

Ameena holds a B.S. in Finance from the University of Southern California. She currently resides in New York City with her husband and daughter and travels extensively in her free time.
Chief Creative Officer
Gini Reticker, Chief Creative Officer at Fork Films, is an Academy Award nominated and Emmy Award winning director and producer with a distinguished career that spans more than 20 years. She recently directed THE TRIALS OF SPRING, which has played at Human Rights festivals around the world and was accompanied by six shorts that launched on The New York Times. The film chronicles a young woman’s journey from an Egyptian village to international human rights activist. Reticker previously won the Tribeca Best Documentary Award for PRAY THE DEVIL BACK TO HELL, the story of Liberian women whose actions helped bring an end to a brutal civil war. She received an Academy Award nomination for the short film, Asylum, recounting one woman’s journey to political asylum in the US. That same year she was nominated for an Emmy for producing A DECADE UNDER THE INFLUENCE. Reticker was one of the creators of WOMEN, WAR & PEACE for PBS, 2011 winner of the Overseas Press Club’s Edward R. Murrow Award and The 2011 Television Academy Honors Award. She co-produced THE BETRAYAL (NERAHKOON) ­ nominated for both an Academy Award and an Independent Spirit Award and served as executive producer on THE ARMOR OF LIGHT, 1971, LIVE NUDE GIRLS UNITE, CAMERAPERSON, ALIAS RUBY BLADE, CITIZEN KOCH, HOT GIRLS WANTED and SHE'S BEAUTIFUL WHEN SHE'S ANGRY.
Communications and Operations Coordinator
Before joining the Fork Films team, Hope worked as a freelancer with various television shows following an internship at THE DAILY SHOW with Jon Stewart. She graduated from the University of Wisconsin, where she majored in Film, English and Gender and Women Studies and worked with several campus publications, both as a writer and a multimedia assistant. In her free time, Hope enjoys creative writing, photography and sketch comedy.
Operations Director
Juli has worked in various capacities in film and TV production for over a decade, with a strong background in production management and editing.

Juli began her career as the office manager/production coordinator/assistant editor at a boutique commercial production company in Soho, and soon became an in-house AVID editor. Wanting to work outside of industrials and commercials, Kobayashi went on to freelance as a production assistant on productions ranging from music specials and concerts to documentaries, reality shows and live talk shows for Bravo, MTV, CBS, A&E and Warner Bros. She had varied jobs such a research assistant, green room PA, director’s assistant, casting coordinator, and cue card PA.

Joining the team at K2 Pictures in 2003, Juli worked on pilots and specials for VH1, Comedy Central, PBS, Sci-Fi Channel, Independent Film channel, Court TV, ESPN, and the Sundance Channel as production coordinator/ manager, graphics designer, editor, and post production supervisor. She also served as producer/writer/editor on video packages for awards events.

Kobayashi joined Fork Films to oversee distribution of the award-winning documentary PRAY THE DEVIL BACK TO HELL in 2008, and has stayed on full time as the company’s Operations Director.

Juli recently wrote, produced and directed her first narrative short entitled ONE PAST, which premiered at the Urbanworld Film Festival in 2014. She holds a degree from NYU's Tisch School of the Arts' Film & TV production program.
Manager, Grants and Investments
Kat oversees the grant-making and investment arm of Fork Films where she plays a key roll in developing Fork Films grantmaking strategy and review process as well as serving as the primary contact for Fork Films supported filmmakers and grantees.

As a filmmaker her work explores American social and cultural history with a particular interest in gender, popular entertainment, and material culture.

She is currently directing BIG TOP, LITTLE LADY, a feature documentary exploring the lives of female circus performers who thrilled and dazzled the crowds during the height of the American train circuses. Her first film, THIS IS HOW I ROLL, takes a behind the scenes look into the intense subculture that is modern day men’s roller derby. In a sport dominated by women, what happened when the men want to play, too?

She occasionally teaches the course “Launching Your Documentary” at Brooklyn Brainery, a community-driven, crowd sourced educational space.

Prior to joining Fork Films in 2010 her experience included work in theatre, film, television, and commercial production.
Director of Creative Development
Kathleen Hughes is an award-winning producer, director and writer, as well as co-founder of the documentary film company, Okapi Productions. Her most recent film, The Armor of Light, which she produced and co-directed with director Abigail Disney, premiered at the 2015 Tribeca Film Festival. Called “powerful” and “provocative” by Vanity Fair, and “thoughtful and moving” by The Hollywood Reporter, the film tracks a conservative evangelical minister struggling with the morality of America’s gun culture. Among Kathleen’s many other notable films is Two American Families, a 21-year-long look at downward mobility in America, which she produced and directed with Tom Casciato and Bill Moyers for the PBS Frontline series. When it premiered in July of 2013, Variety called it “a potent treaty on the U.S.’ middle class [that] demands to be seen and discussed.” From 2008-11, Kathleen served as the executive producer of WNET’s multi-platform series Blueprint America, where she oversaw the creation of reports about America’s crumbling infrastructure for a wide range of public media outlets including PBS NewsHour, National Public Radio, Bill Moyers’ Journal, Now on PBS, and Need To Know. Blueprint also created two documentary film specials, “Road To the Future” and “Beyond the Motor City.” From 2007 to 2008 Kathleen served as a senior producer at NOW on PBS, managing a team nominated for two Emmy Awards. Kathleen’s Emmy Award-winning Moyers special Buying The War, detailing the media’s failure to examine the Bush Administration’s case for the 2003 invasion of Iraq, was called “one of the most gripping and important pieces of broadcast journalism this year” by the Washington Post. Kathleen’s other documentaries have appeared on PBS’s Frontline, NOW, and Wide Angle, and ABC News’ Turning Point, as well as many Bill Moyers specials. Her work has received numerous awards including two national Emmys, a New York Emmy, the duPont-Columbia Gold Baton, the Gracie Award, the Sidney Hillman Prize, the Dateline Club’s Society of Professional Journalists’ First Amendment Award, the Harry Chapin Media Award, the Christopher Award, and honorable mention for the Robert F. Kennedy Journalism Award. Her early television career included stints as an associate producer for 60 Minutes, and as a producer the local New York programs The Eleventh Hour and Currents. She is a graduate of the State University of New York at Binghamton and holds a masters in journalism from Columbia University.
Production Manager
Before joining the team at Fork Films, Kirsten spent ten years working freelance in production on television shows, feature films and commercials. She started her career as a Production Assistant and worked on films directed by Michel Gondry, Martin Scorsese, and Wes Anderson. Having worked her way up to Production Managing, Kirsten’s main focus was on commercials and TV. Her most recent projects included docu-reality shows for The History Channel, Discovery, Travel Channel and Showtime. Working on documentary films has always been a dream for Kirsten so she was very happy to become part of the Folk Films family. In her free time Kirsten enjoys traveling, reading, cooking, and spending time at home in Brooklyn with her Golden Retriever.
Chief Operations Officer
Molly O’Brien is the Chief Operations Officer of Fork Films, recently joining the company in a newly created position. As COO, O’Brien works closely with Abigail Disney, Gini Reticker, and the entire Fork Films team to provide strategic leadership and oversight to operations, productions, funding, and business development. O’Brien brings with her over two decades of experience at the intersection of non-profit and corporate interests, organizing independent initiatives, collaborating with documentary filmmakers and creating branded content for diverse clients such as the Natural Resources Defense Council, Sierra Club, Los Angeles Philharmonic, Zumba Fitness, and The World Food Programme.

Before joining Fork Films, O’Brien was the lead organizing producer for Indie Caucus, a national group of independent filmmakers who support the mission of public media. In this role, O’Brien provided strategic guidance in targeting public media channels in major markets to ensure diversified documentary programming. In 2015, Indie Caucus played a pivotal role in keeping two iconic documentary series, Independent Lens and POV, on key PBS channels.

Prior to Indie Caucus, O’Brien was the founding producer of Sundance Institute’s Catalyst Forum, an annual convening of creative investors and independent filmmakers. Since 2013, Catalyst has raised millions for independent filmmakers and connected investors with the creative teams behind the year’s most highly anticipated independent narrative and documentary film projects.

O’Brien started her career training as assistant camera with Ken Burns (Lewis & Clark, Frank Lloyd Wright), and has since produced film and television with some of the most acclaimed documentary directors in the industry including: RJ Cutler (American High), Lauren Greenfield (Queen of Versailles), Karen Goodman and Kirk Simon (various films for PBS, HBO, National Geographic), Robert Greenwald (Sierra Club Chronicles), and Keith Fulton and Lou Pepe (The Bad Kids, special jury prize winner Sundance 2016).

O’Brien won a Primetime Emmy Award for Producing Outstanding Non-Fiction Program in 2000 (American High, FOX), was nominated for the Primetime Emmy in 2001 (American High) and made a 2010 Sundance Institute Creative Producing Fellow (Cesar's Last Fast, PIVOT/Univision/Netflix). Additionally, she was the Supervising Producer for the branded documentary short #Selfie, which won a Clio Image Award in 2014. O’Brien’s first documentary film, A Pig With Hair, was shortlisted for the Academy Awards in 1998.

An adjunct professor of documentary filmmaking at Chapman University, O’Brien is a graduate of NYU’s Tisch School of the Arts and lives in Brooklyn, NY with her beloved Chihuahua and family.
Operations Manager
Sarah Feuquay came to Fork Films with a dual background in Production and Film Festival work. She has over 10 years of Production experience working across a diversity of projects, from indie narrative features to prime-time ABC News Specials, functioning in multiple roles including production coordinating, logistics, research, licensing, post-production, development and grant writing. In addition, Sarah has worked both front and back of house positions at film festivals including the Tribeca Film Festival, Rooftop Films and DOC NYC. She holds a Masters Degree in Film Studies from Emory University and a BA in Film Production from Hunter College.
Abigail E. Disney Photo Credit: Joey L
Team Photo Credits: Guido Venitucci Photography